Working at the intersection of art and business, I have investigated the history of maintenance and disruption at the New York Philharmonic since its inception in 1842, structural and relational perspectives of power, and art programs of the Canadian Pacific Railway in the late 19th century. A recent contribution, “Craft, magic and the re-enchantment of the world” (Suddaby, Ganzin, & Minkus, 2017), explores an alternate view of the hyper-rationalized and disenchanted world of neo-institutionalism.
November 2022 | preparation of abstract for Music and censorship in the 20th and 21st centuries. Historical, political and social context. Organized by Centro Studi Opera Omnia Luigi Boccherini (Lucca).
October 2022 (forthcoming) | Revolutionary and master: Beethoven’s reception and reflection at the New York Philharmonic (1842-1892). In M. Miller & W. Kinderman (Eds.), Beethoven the European: Transcultural contexts of performance, interpretation and reception (Speculum musicae). Brepols.
December 2020 | Paper presentation, Revolutionary and master: Beethoven’s reception and reflection at the New York Philharmonic, at “Beethoven the European. International Virtual Conference” (organized by Centro Studi Opera Omnia Luigi Boccherini, Lucca, in collaboration with Ad Parnassum, a Journal of Eighteenth- and Nineteenth-Century Instrumental Music).